n Chapter 7
Film and Home Video
Film and Home Video
n
n History: Golden Moments
Ø Edison’s camera (1888)
Ø Great Train Robbery (1903)
Ø Birth of a Nation (1915)
Ø The Jazz Singer (1927)
Ø Film attendance peaks (’46)
Ø Television, studios
divest theaters (1948)
divest theaters (1948)
n History: Golden Moments
Ø MPAA movie ratings (1968)
Ø Star Wars (1977)
Ø Toy Story (1995)
Ø Titanic (1997)
Ø DVD introduced (1997)
Ø Netflix streams films (2007)
Ø Avatar in 3D (2010)
n How to Use Images
Ø Silent films: 1903-27
Ø Established today’s genres
n Westerns, war movies, horror, romance, comedies
n Dramas, documentaries, action/adventure
Ø Action and lavish sets
n Stars and Studios
Ø Hollywood film studios’
factory- style production
factory- style production
Ø Star system: Valentino, Gish, Pickford, Chaplin
Ø Some films shock audience
n Jazz Age (1929)
Ø Hays Code: self-censorship
n How to Use Sound
Ø Warner Bros.: Jazz Singer
Ø ‘ Talkies’ end golden age
of silent films
of silent films
Ø Influx of new talent
Ø New genres: zany comedies, musicals, crime, historical epics, mysteries, film noir
Ø
n Peak of Movie Impact?
Ø Movies’ cultural impact on U.S. & world, 1930s & ’40s
Ø 70 million tickets a week
Ø Escapism during Depression
Ø Studios form MPEAA;
U.S. movies go international
U.S. movies go international
n Vertical Integration
n Studio system
Ø 5 major studios
Ø Owned production and
distribution (movie theaters)
distribution (movie theaters)
Ø Federal regulators worried
Ø Quality films and B movies
Ø Peaked in 1946-48
n Film Faces TV, 1948-60
Ø TV hurt box office receipts
Ø Gov’t. limits concentration
of ownership in film system
of ownership in film system
Ø Studios sell off theaters
Ø Movies shift to suburbs
Ø Studios produce for TV
Ø Color, wide-screen film
n Studios in Decline
Ø Studios evolve
Ø Independent producers gain power (Coppola, Allen)
Ø Audiences change
Ø Political and topical films
Ø Pushing censorship limits
n MPAA content ratings
n Studios in Decline
Ø Exports boost U.S. profits
Ø Return to blockbusters
with Jaws in 1975 & Star Wars in 1977
with Jaws in 1975 & Star Wars in 1977
Ø Special effects, sound
Ø First-run distribution aims
at 15- to 24-year-olds
at 15- to 24-year-olds
n Star system returns
Ø Hollywood Meets HBO
Ø Cable TV (HBO in 1975)
Ø Video rentals: VCRs, DVDs
Ø Chains like Blockbuster
n Blockbuster phenomenon
n Audience segmentation
Ø Movies made for TV
(and now for cable)
(and now for cable)
n Movies Go Digital
Ø Technology, market forces
transform movie industry
transform movie industry
Ø Home video beats box office
Ø Now digital distribution
Ø Production costs skyrocket
Ø Independent (indie) films
Ø Digital projectors and 3-D
n Making Movie Magic
Ø Muybridge’s galloping horse
Ø Edison’s kinetograph
Ø Lumière brothers’ projector
Ø Surround sound systems
Ø Special effects go digital
n Star Wars, Matrix, Toy Story
Ø ‘Desktop’ filmmaking
n Movie Viewing
Ø Digital light processors
Ø Increase in digital screens, 3-D and IMAX theaters
Ø Blu-Ray DVDs
Ø BitTorrent: illegal downloads
Ø Netflix and pay services
Ø Cable TV’s video on demand
n The Film Industry
Ø Players: 8 major producers
Ø Independent filmmakers
Ø The guilds: writers & actors
Ø Distribution ‘windows’
n Thwarting piracy
Ø Growth in movie industry,
especially home video
especially home video
n Telling Stories: Film Content
Ø Team effort
n Director’s controlling hand
Ø Finding audience segments
Ø Young movie-goers
Ø New genres: youth rebellion,
sci-fi, slasher, coming-of-age
sci-fi, slasher, coming-of-age
Ø More diverse audiences
n Film and Your Society
Ø Violence, sex & profanity
Ø Industry’s piracy concerns
n MPAA’s opposition to VCRs
n Now, illegal downloading
n Copying for sale or rental
Ø Crackdown on piracy abroad
Ø Taping first-run movies
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